Pigeon John Is Clueless
Pigeon John has spent time as part of the Brainwash Projects as well as L.A. Symphony. After several collaborations with these crews some of Gospel hip-hop's finest the artist launches his solo debut titled Pigeon John is Clueless, and manages to fuse honesty, humor, and ministry into a refreshing package that will definitely make you take notice. Formerly known as my girl now love's a gun and I hate you, whatever possessed me to date you." from "Destruction" Pigeon John spends the majority of his project referencing life's issues. While many deal with matters of the heart, he also expresses his thoughts on the current state of affairs within hip-hop. On "The Heartbeat", he wishes for the death of hip-hop, citing the genre's move from originality into commercialism. PJ brings a few of his friends with him on this project. L.A. Symphony member Joey the Jerk lays some slick rhymes down on "Payroll Professionals" and "Move On". Tapwater also lends a hand to the Pigeon on the track "Passion". The West-coast rapper brings a heavy East-coast vibe, comparable to that of The Roots or old school Tribe Called Quest. He also has no fear of expressing his true emotions. Perhaps that's what makes this project so notable. He reminds us of what true music is....the ability to freely express yourself. Pigeon aptly ends the album with a live acoustic number titled "B". Again, his raw emotion and wild personality are all over this track, which only consists of a basic melody played on acoustic guitar. Yet, in the midst of his eccentric presentation, Pigeon shares the message that we all need to spend time being ourselves because our Creator made us in a fearful and wonderful manner. This project is different and one of a kind. While it's not your normal dose of holy hip-hop, it is a look at real life and a real God that somehow can deliver from pain and hurt. Pigeon John is not clueless, nor is his album. It's designed to identify pain and bring a solution and he does just that. It's worth checking out. The Telephone Company / Syntax Records — reviewed by Gerard Bonner —
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